Showing posts with label language. Show all posts
Showing posts with label language. Show all posts
Friday, September 28, 2012
Don’t you know about the word? Well, the Meandering Mouse knows that you can’t “end the word”
In the past few years, a movement has arisen to excise the word “retarded” from the English language. On websites called “Spread the Word to End the Word”, activists fight against what they call the “R-word,” pleading with us never to use it lest it hurt the feelings of the developmentally disabled.
This movement is, no doubt, coming from a good place in the heart.
It is also futile.
Protesting against “retarded” (and its little brothers, “retard” and the suffix “-tard”) at this point is like…well, I hate to resort to a cliché, but it’s like closing the barn door after the horse has run away and sired enough descendants to fill the Queen’s stables.
“Retarded” does not mean now what it did decades ago. If you don’t believe me, let’s take a look at three other words which have changed meanings: “moron,” "imbecile," and “idiot.”
In the early 20th century, psychologists developed new terminology for people with mental disabilities. Those with an IQ between 51-70 were “morons.” (70 was the baseline of “normal” IQ; 130 and above was “gifted.”) Those with an IQ between 25-50 were “imbeciles,” and those with an IQ between 0-24 were “idiots.”
(Aside: I shudder at the horror of having an IQ of 0.)
In the decades between then and now, “idiot,” “imbecile,” and “moron” drifted out of the psychologist’s office and into the dictionary of pure insult. That process has already happened with “retarded.” I can’t think of any well-regarded psychological professional who still uses “retarded.” We use better, more accurate terms like “developmentally disabled” and “mentally challenged.”
If you can’t tell the difference between screaming at a developmentally disabled five-year-old, “Shut up, you little retard!” and saying about a temperamental Xerox machine, “That printer went full retard today,” you need to brush up on your critical thinking skills.
If someone directly insults your child with the word “retarded,” deal with it appropriately. If someone uses “retarded” in a context that has nothing to do with your child, let it go.
Just let “retarded” (and its little brothers) go in your own mind the way it’s already run away in real life.
It’s a word, after all, not a bullet.
Sunday, August 21, 2011
Fear not profanity

This is the essay about "strong language" that I promised in the last post. I originally wrote it for the This I Believe program on NPR – which is why there is no actual profanity within.
* * *
I believe that it’s long past time for people to get over their squeamishness over words. Especially the words I can’t write in this newspaper.
A writer should not be afraid to use all of the words in the vocabulary toolbox – and that includes profanity, when appropriate for the character, setting, genre, and market. Sometimes, words like “nonsense,” “jerk,” “harridan,” and “make whoopee” don’t pack the needed punch. Try using these instead of the profane words and listen to the difference.
One of the canards that I despise is “if a writer has enough imagination, he shouldn’t have to resort to profanity.” That is such a can of succotash on so many levels.
First, it’s the character who’s doing the swearing, not the writer. I rarely curse in my real life, but I happily let some of my characters let rip. Do you think that, say, Dean Koontz is a homicidal maniac?
People who say that profanity and imagination don’t mix are only putting a guilt trip on writers because of their own discomfort with certain words. It’s easier to point the finger at the writer – “How dare you use those words!” – instead of yourself: “I just don’t like seeing those words in print.” But when you conclude, “I don’t think anyone else should see those words in print, either,” you have crossed a line that makes me stand up to fight, because your rights end where my pages begin.
One of the most wildly imaginative writers I’ve ever read is Harlan Ellison. In both his fiction and non-fiction, he takes the reader to unearthly worlds of terror, absurdity, and delight, his words spinning dizzily in a fractal explosion. And he’s not afraid of the judicious use of profanity. On the flip side, you can go to any bookstore in the country and find prose as flat as a can of Pepsi left opened on the dock from sunup to sundown -- but it’s A-OK to some of you out there, because it’s free of that awful profanity.
For those who say that profanity is the proof of a dull mind, I give you Quentin Tarantino and his screenplay Pulp Fiction, in which the profanity adds flavor to the prose like Lawry’s seasoned salt does with white rice. For those who believe that cursing just sounds ugly, open your mind and taste the tart hard candies that shoot from Steve Buscemi’s mouth in Fargo.
“But what about the kids?” you ask. What about them? The material mentioned above isn’t meant for them. And if your kids are eight years old or over, it’s too late anyway. They’ve already learned all the profanity they need to know in the schoolyard. Or at home.
And these are only words. Words that float in the air and feel like nothing. They are not fists. Not guns. Not bombs. Do you really think that a rapped profanity drifting out of a driver’s car window is going to scar your children for life?
Grow up. Please.
Labels:
Harlan Ellison,
language,
profanity,
Quentin Tarantino,
writing
Does my vocabulary suck?

The difference between the words I use when I talk and the words I use when I think is similar to the difference between a genteel talk show airing early in the morning on PBS and a reality show in which the grand prize is dating a Z-level celebrity on VH1.
While I give the words in my mouth a security check before I let them out of my mouth, my mind is far more spontaneous. For example, if I hear something as obvious as the I.Q. of someone who would wear a hat with teabags dangling from the brim (aside: what a waste of tea bags!), I think: No shit, Sherlock! I don’t think a day goes by without my synapses going, NS, S! – but I have never said it out loud. (I think.)
I also have the same relationship with the word sucks, as in something being notably subpar (not something engaged in the act of suction). The words That sucks! pop into my head like toaster pastries whenever I am in stuck in glue-speed traffic, listening to a stultifying lecture, or gazing down at a flat iron-less meat section at Ralphs. (If you live in California, Ralphs sells a great flat iron steak.)
I have to admit that I sometimes feel shame for my thoughts. Why? Because as an English major and a (for now) semi-professional writer, I should be able to form thoughts without the use of, um, “strong language”. At this point, my rational side will stand up and scold me for taking the cursing-is-a-sign-of-an-unimaginative-mind canard seriously. (I wrote an essay about cursing a few years ago – maybe that will be my next post.)
Just what is wrong in thinking, or even saying, the word sucks if it fits? As the T-shirt from the 80s said, poverty sucks. So does war, fundamentalist religion, abuse, and rotting shellfish. What is wrong in thinking or saying No shit, Sherlock! if someone on the radio says, “Consumers lack confidence due to uncertainty over the economy,” or, “Fried Twinkies are a uniquely American treat.”
If the word fits, use it!
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